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About

 

LAKISHA MICHELLE MAY

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An artist dedicated to service.

 
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photo: Michaelah Reynolds

 
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As an Actor and Advocate,

Lakisha’s on screen acting credits include Blue bloods, City on a Hill, Boardwalk Empire, Law and Order: SVU, and others. She has originated roles in world premieres such as Branden Jacobs-Jenkins’ Everybody, Mfoniso Udofia’s Sojourners, Robert Askins’ The Squirrels and others.

Lakisha was just on broadway in Jaja’s African Hair Braiding, Originating the roles Vanessa/Radia/Sheila.

she serves with the James Beard Foundation, space on Ryder farm, süprmarkt and others.

As a Producer,

Her producing collective, ccc, supports artists by providing the necessary resources to bring their projects to light. Her collective has supported the work of Nikyatu Jusu, Rashad Frett, Saheem Ali and others.

Lakisha has her MFA in Acting from The American Conservatory Theater and her BA from Spelman College.

 
 

R E L A T E D A R T I C L E S


“Jaja’s African Hair Braiding, Where the Stories Intertwine Too”

“Playing two separate trios of characters who come in throughout the day to get their braids done, Kalyne Coleman and Lakisha May are total scene-stealers. May has the audience shrieking as Vanessa, the World’s Worst Customer,™ who comes in loud, rude, and armed with all her own products; berates everyone; and then proceeds to fall asleep in Aminata’s chair.”

Sara Holdren; New York Magazine/Vulture

Click here to read full article

 
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Review: For Africans in America, a Temporary Stay Becomes a New Life

“Still, taken together, the two plays, which opened on Tuesday night at New York Theater Workshop in a pair of stunningly acted productions, offer a moving and powerful corrective to the notion that what immigrants leave behind is always awful, and that what they find is always worth the trip.”

Jesse Green; New York Times

 
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Review: In ‘Everybody,’ Mortality Loves Company

“Five of the parts — which, in addition to Everybody, include such allegorical figures as Friendship, Kinship and Stuff (or material goods) — are newly reassigned at each performance by lottery (via balls in a bingo cage).”

Ben Brantley; New York Times

 
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‘Panama Canal Stories’: A Milestone For a Young Industry

“I think there is an urge to start telling stories from the inside, stories that are representative of our idiosyncrasy. Maybe this is a natural process every national cinema has to go through. This film tries to catch a glimpse of the Panamanian soul.” - Pablo Schverdfinger

John Hopewell; Variety